the title track >juneau< comes at you with force, grace and a warm low end perfect for a late night or an early morning. pier bucci and crazy larry aka glacier really work the knobs and controls to create a melodic yet refined sound. this is definitely the most emotional track on the release, usually evoking quite a response from the dance floor. play this at the right time and you will have a smile on your face for sure.

two new faces on freakshow belong to a crazy spanish combo called kasbah zoo! established some years ago through the union of alex and nicolas who are based in barcelona. after 10 years of individually experience in music production and nightlife, they decided to create a new project where their maturity can do a refined music product.as a result they already had some underground hits during the last years. so far the two guys were releasing tracks on zoo:technique and rawthentic music. their next step took them straight into the intl. freakshowi&#769,s artist pool. with their original version of the title track i&#768,palabrasi&#770, kasbah zoo is unleashing a damn good piece of pumping techhouse. alongside the original we bring you 2 more remixes coming from christian burkhardt and romano alfieri. both are as hot as hell, too. all in all one must say that this record is keeping iti&#769,s dynamic groove from the start to the very end & it will help perfectly to get fully loaded from head to toe!

portable strikes back on karat 8 years after his first appearance on the label. hes now delivering two massive tunes that gonna smash any dancefloor around the planet. >inside your mind< is a build up track with a proper vocal describing different levels of consciousness, and about the way of living your inner thoughts. this is a true masterpiece, already charted by a lot of djs and surely a future karat classic. >the gheto escapes< is a floor burner, acid stomper track that never stops to push up the pressure. portable releases here the more dance orientated record of his career and be sure this one will satisfy any kind of djs, from the house heads to the proper techno addicts. one infinite loop is hidden at the end of the first side. enjoy

limited, 300 pressed… once upon a time in a borough not so far away… endlessly walking the streets, on one of those hot-as-hell summer days in brooklyn nyc. you pause on the corner, to catch your breath, only to have an old box of records catch your eye. your fingers start to gather dust as you rifle though 12s with names like strictly rhythm, nu groove, madhouse, henry street and loop nloop on the labels. as you reach the end of your frenzied search, one unassuming piece of wax, in particular, seems to mysteriously peek your interest… on the corner vol. 1. the debut release for the brooklyn nyc based cortelyou road recordings. this will be first in a series of compilations coming from cortelyou road. leaving no stone unturned in their search for the finest production talent from around the globe

for the second and far overdue release on his little leaf imprint matt moroder delivers a superlative psychedelic reimagination of shuggie otis which sits far beyond the realm of your blog standard ableton edit. matt scliced the original into little pieces put it new together and added some drums and percussion with the respect this soul classic deserves. this rework is hypnotizing makes you wish to never end. on the flip hamburgs hardest working entertainer erobique used the same kind of gentleness to rework some cello and voice by one of the greates disco visionaries and songwriters that left us much to early. by creating a dirty mpc beat and blend it with vocals and cello erobique creates his own vision of the late arthur russell far from the average four too the floor mediocrity. this vinyl only release is strictly limited to 300 copies and shines even more with a splendid artwork that shows love and care

ostgut starts the new year with the fantastic debut album by berlin based dutch producer and dj steffi. flawless from the beginning to the end.

now.. we know a lot of people have been waiting for this one so without further delays we present matt-us highly anticipated >watchin u< ep. the perfect tune to end this sublime ep.. nothing but quality in here!

future disco releases the fourth edition of the sort after series and to coincide with the full album release is this limited four track vinyl sampler featuring some of the highlights from the collection >neon nights<. first up is an exclusive track from the revenge. originally created a dj tool for graeme clark aka the revenges dj sets >just be good to mario< is a cleverly produced mash up of the revenges own >just be good to me< featuring the vocals of crazy ps danielle moore, and mario basanovs track >do you remember<. the result is a slow grooving dance floor jam that takes the best bits from two producers at the top of their game. also on the a side, the c90s –shine a light is given the remix treatment by australia outfit flight facilities. the result is a slow tempo song, perfect to start or end the night. on the b side, hannulerauris instrumental >zombie tropicana< gives a firm nod to the 80s with a slow stomping electronic disco work out. finally london duo, tape to tapes >pure & easy< completes the pack. a hand raising house track with soaring breakdown, which demonstrate the breath of the sounds on a future disco collection. all tracks have never appeared on vinyl before and are exclusive to this sampler

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.

und wieder einmal macht rajko müller seinem namen als visionärer ausnahmeproduzent alle ehre. auf >well spent youth< setzt isolée erneut maßstäbe und liefert uns ein atemberaubendes album zwischen house, techno und pop ab. niemand klingt wie isolée. nicht mal entfernt. der name ist programm. in den letzten 15 jahren hat isolée es geschafft seinen eigenen trademark mit seinem atemberaubenden klangdesign zu kreieren. jeder ton scheint liebevoll aus den untiefen seines anlogen geräteparks gemeißelt und abgeschliffen worden zu sein, bevor er ihn in ein außerirdisches abstraktes, stetig morphendes und dennoch verbindliches und bouncendes klanggemälde savantischen ausmaßes einwebt. 1998 gelang isolée mit beau mot plage (playhouse) ein zeitloser geniestreich, der weltweit und genreübergreifende verzauberte und die grenzen der elektronischen tanzmusik neu auslotete. es folgten 2 hochdekorierte alben >rest< & >we are monster< auf dem frankfurter label playhouse und zahlreiche remixe für z.b recloose, blaze, franz ferdinand, roy davis jr , tiga, alter ego oder international pony. isolée erinnert auf einzigartige weise wieder einmal, wozu elektronische musik fähig sein kann und ist bereits jetzt schon ein heisser anwärter auf eines der alben in 2011!

following on from their last two sell out eps, foto recordings (run by ali ooft!) enlist the talents of deep space orchestra for release number three in the catologue. first up >riding in my imaginary jeep< showcases their trademark old synths/modern production aesthetic to full effect, taking in classic drum machines and warm synth lines to produce an epic piece of deep house. second track >sir shina< sees them doing some deft sample-manipution with a big chugging midtempo jam the result. ooft! meanwhile give >riding< the once-over, beefing up the low end whilst retaining most of the musical parts.

we welcome matt obrien on curle for his first full ep on a label other than his own off-key industries - which makes us proud!

dj support from james holden, ewan pearson, dj three, trans forest alignment is taken from luke abbotts critically acclaimed >holkham drones< debut album, which appeared in end of year best of lists in magazines such as mojo, amongst others. a remix from dfas synth overlord gavin russom takes the mystical, ceremonial undertones of the original to the next level, layering eerie synths over a proto-kick drumcircle to epic effect.

booom! a.paul is back on patterns with a slammer. incredible 4 tracks ep, pounding from start till end. dancefloor material for all djs and fans worldwide!

a somewhat mysterious collaboration between three people from varying parts of the world is finally pieced together after being lost and found over the last two years. the final result being two stripped down and uncompromising tracks that go from chicago to detroit and beyond. also included is legowelts remix of comeback dust which takes the original and adds his signature chicago smudge sound to the mix.

recorded in los angeles from the end of 2009 and into 2010, >everything in between< is the new album from no age, the duo of dean spunt and randy randall. they emerged from former band wives in 2005, to become no age, worldwide glowing talismans for the diy art-punk scene in la, now famously known as having its epicenter at the smell, a clubhouse where art-life/music-life welded and inspired a creative movement and attitude which has fertilized a purple patch of likeminded punkers and artists around the globe.
deluxe lp package with 48-page 12 inch booklet and download coupon for mp3s of the entire album.

the subdivision return home to paradise lost with the open your eyes ep: epic vibes, hypnotic bass work, and complex programming manifest themselves as what might be considered their best work to date, and surely a production which defines their unique style for building cinematic tracks of epic proportions. the structure is trademark tsd: a beautifully drawn-out breakdown compliments the progressively building tension, leading to a thunderous climax toward the end. this tune is more of a journey than simply a dj tool (although its a treat to mix with), and djs such as bunzer0, djunya, 501 and claw have used it to devastating effect in the mix.

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement – he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove

after his rather menacing vision called >worlds end< (hometrainer/acid pauli 12inch, dec 2010) acid pauli pulls another two typical tricky tracks out of his musical drawer. but, to confuse right from the scratch, he gave them polarizing names such as >like it< and >dont like it<. has he possibly planted something on us?

tearing through the streets again with wicked track after wicked track! pounding grooves dont stop! this heavy low end bomber is sprinkled with static dust which grunges it up nicely. then comes along valvestat who gives us a new taste of uk-style tech, mixxing heavy kicks and technical percussions with subtle black strings of death! huge! kataconda is back at it, this time treating us to a frenzy of static attacks. his droned out version of pounding grooves original leaves no room for improvement. finally, dijjs edit adds a funky bounce to the equation with cut-up alien vox and the skullsplitter! dont miss this one! asrx005 cannot be stopped!

on this the final 12 inch installment from dops critically acclaimed debut album greatest hits, everyones favorite trio of merry pranksters bring their carnival cabaret to a dark and twisted end.

dj roc, known to his mother as clarence johnson, was born and raised on the southside of chicago better known as the low end. the crack in >crack capone< refers to his style of production. like an underground chemist, dj roc produces variant strains of chicago juke music, the crack referring to the synapse snapping, potentially ankle cracking manipulation of rhythms and the sampling, hijacking and ultra-rhythmic micro-editing of black american pops dominant forms into a style thats been developed and tested on the streets of chicago.

the dream team return, another sinister slab from these amazing producers ! features trouser-flappin bottom-end mastered by the don, matt colton ! james ruskin and mark broom follow up their previous and serious selling outing (bp029 no time soon) with a stonking slab of the dark techno stuff ! if we are to reference this release then it perhaps could be likened to early surgeon or downwards titles with menacing riffs and destroyer basslines..... just fantastic

three brand new tracks from the mysterious arp 101! this is the producers second release on london based, but interstellarly connected, eglo records. his first release got the official dam funk stamp of approval, as well as gaining support from ramadanman, mary anne hobbs and falty dl. these three diverse productions, ooze with loose, low, funk, holding on to the bottom end whilst the clicks, pops and snares reach for the sky. stick em up!

limited edition release of this 2005 mr. oizo album, for the first time on vinyl! including free download code.

ophidian is known to be one of the most innovating producers around, and he proves this once again by presenting his latest masterpieces on enzyme x 31.

steve tang & m dreams are on a roll, with wax dropping hot & thick, on steel. tang represents a retro-futurist vision of post-acid chicago house, all made with vintage tech & dripping with machine soul.

2000 watt take any number of watts, in our case 2000, add a few tasteful sounds, refines the whole with a driving bass, and at the end rounded with a grandiose arrangement. brian sanhaji realized it perfectly in his track >2000 watt< and asked to table. fucking shot the b-side, as is known, the quieter part. >fucking shot< is not. rather, we have another highlight of the techno genre. attemporal proves with his track, that a certain hardness in music, fullfil the feeling on the dancefloor.

earlier this year they got together at martins studio in derby to create this classic deep house number. the parts were then taken to their respective studios to create their own versions. freds mix has a more straight forward vibe to it while martin takes things to the deep end, adding dub elements to the mix.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

with their sixth release klangfarbe schallplatten from cologne presents the first full time ep of the french artists jules & moss, after they contributed two tracks to the split ep >them van / sick up< (kla03) with holger brauns & tim wagner, released end of the last year on klangfarbe schallplatten. jules & moss are worldwide known for their dj sets, they are also performing drum & live acts - at the zoo project (ibiza) or the full moon parties (thailand). there will be more releases soon on claude von strokes label dirty bird (usa) and the german label >session de luxe<. the ep contains three new tracks and one remix. kapoun is a cool & sophisticated accordion track in a typical french tradition, but with a modern groove

2010 repress ! paul ritch and his quartz music label return with a very special treat! the first release on quartz was pauls own >split ep<. the response to the music on this ep was incredible. not only from specialists, but also from the public. how do you improve on the package? well, draft in one of the biggest names in world of techno to not only provide a remix, but take the two biggest tracks from the release, combine them, and remix the mutant off-spring. indeed! this is just what dubfire has done. taking >walk the line< and >split<, melting them together, and then reworking them to provide what will, from now, and forever more, be known as.... the >split the line - dubfire mega remix.< 2008 proved to be a wonderful year for dubfire. his releases and remixes filled the top spots in many end of year charts. no more than they deserved. his >dios< & >diablo< tracks alongside oiiver huntemann were instant smashes, and his remixes took him to a whole new level. radio slaves >grindhouse<, minologues >jamaica<, gregor treshers >a thousand nights< & booka shades >charlotte< all received the dubfire treatment, and all, went on to be smash hits. 2009 is set to be even bigger and better for everyone involved in this e.p.. is that possible? just watch this space!

future times with two epic tracks by brooklyn, nyc-based slava. >dreaming tiger< blends spliced chants, dark drums, a rugged bassline, and feverish guitars into a vicious house cut. on the flip is >world of spirits<, a humanoid fusion freak-out with rigorous techno vibes and a mystical left turn at the end that will take a partys breath away

after 20 releases in the much loved volume series mooqee & pimpsoul deliver what will be the last in the series, and boy do they deliver! dont worry its not the end of bombstrikes, just the volume series as we will continue to push our sound with artist development and individual eps plus a new into battle release featuring the likes of parker & slynk real soon.
to celebrate the 20th release we have pressed in glorious blue vinyl.

end the year in style with pornographic. its been a great year for the porn lovers, 5 blasting techno releases feat. artists like cristian varela, joseph capriati, markantonio, ckos, toni moreno and more in 2010 we now have mbelek head honcho marco bailey with his view on the porn scene. 2 great musical tracks for the lovers and as usual with great labelartwork for the fans

incl. len faki remix !! huge support from, adam beyer, chris liebing, dubfire, joris voorn, dave clarke…. figure label founder len faki offers up an absolute treat with a very special remix of pfirters >the dub track<. a tectonic monster reconstructed, re-inforced and stamped with the berghain residents seal of approval. extremely hard to ignore, this high-end techno weapon is packed full of tension, detail and of course fakis trademark rumbling, deep and warm bass energy.

a sophomore tour through bachelorettes expanding universe, featuring a little bit more of everything that made >the end of things< so incredible (sweet pop songs, harmonies, space-age production sounds) in an increasingly streamlined setting, but still reflecting the lonesomeness of the title. interstellar innerdrive!
originally released in 2006 on new zealand label mistletone.
comes with coupon for free digital download of this release.

the green door studio opened its (confusingly black) doors to glasgows vibrant music community at the end of 2007. set up by three glasgow-based musicians emily maclaren (michael dracula/the lady vanishes), sam smith (mother & the addicts) and jamie greer (park attack), who, sick of using other peoples clinical digital studios and being told by engineers >you cant do that..<, decided to create a musician-friendly space where >actually you can...<.

even though youre with another girl is the amazing second single to be taken from trentemoellers stunning new album >into the great wide yonder<.after the huge reaction to the beautiful longplayer, which mixes classic trentemoeller production mastery with more of an analogue, song based, indie-feel,its time to carry on with this intriguing set of remixes.side by side comes a hot 12inch that features remixes by kollektiv turmstrasse and pantha du prince.the kollektives half of the record slaps a heavy dose of deep,dark funk into the mix, with this ingenious lo-slung version. postminimal-punk electronic drums meet warbling synths and reduced,subliminal use of the vocals in a delicate and stylish mixture of pop-meets-deepest-electronica.dials man of the hour pantha du prince creates a typically high-end remix based on his trademark twinkling melodies and warmly grooving understated beats.the dub version twists and turns with unpredictable laid-back intensity as a rousing chorus of strings and harmonic elements fuse under dubbed out vocal elements.

may this record be understood as a diabolic statement coming along with the winter season or even as an affront?
hometrainers affinity of doomed dispositions (possibly seen as humor) might be known to a few by tracks from the early 2k. now he turns the table and shouts out: >get up to nowhere.< sounds like an offense he made. acid pauli did like this right in time to produce another track that points it metaphorically out.

the final chapter of vonstrokes limited vinyl album remixes features some seriously low end.
remix #1 is one the favorites of the entire project. claude met brazils dj marky on an artist bus at a uk festival last summer and gave him the track >aundy<. he asked him to do a mix and marky and his friend s.p.y. turned in this amazing drum n bass version. numerous artists have been dropping it even in the middle of house sets! it really captures the drum n bass feeling of the original track taking it back to the genre which inspired it.
remix #2 is from our up and coming bristol based bass prodigy, julio bashmore. he takes on >california< the co-production by cvs and j phlip to another level, adding smooth low end bukem style bass drops and shimmery vox/pad programming to the already insane track. bashmore is one of the few new breed of uk producers who cross over all the way from house to dubstep.

known as one third of the notorious wetyourself crew, throwing parties and djing every sunday night at fabric in london, jacob has been releasing music since 2005 on different labels and under various guises.as a dj he is known for his fast mixing style of stripped down house and bouncy techno, which has made him a favorite in london and on the international underground dance scene, playing gigs all over europe and the world on a regular basis. the end of oct 2010 sees his debut release on the newly-formed wys! recordings with a very limited run of vinyl... do what you want by jacob husley is an upbeat rolling feel good record that has become become a steady ingredient of the sunday night wys! mix. featuring vocals from husley himself, the track is timeless and positive. the rather huge, driving bass line perhaps shows what an effect his 8 years living in london has had on him and also maybe his not-so-secret past as a junglist? all-round danish house legend, mathias mesteno, has created a late night deep builder that drives and drives..the result is detailed and tough! keeping jacob s big bassline, he has created his own feeling around the groove with plenty of atmospheric percussion. barcelona man-of-the-moment garnica from galaktika recs, has created a fantastic peak time groovy dub edit that will have people losing themselves on the dancefloor. watch out for more releases from wys! coming soon, next up is cormac s cold remixed by miss kittin and chris liebing!

meakusma delivers the 3rd and last part of their ruts series, featuring the deeper side of house and techno with tracks by immer.chic, vakula, even tuell, move d & benjamin brunn.

dj w!ld (catwash,oslo,robsoul) begins his own new label ! this first ep versus the gathering (chez damier,jef k & cris carrier) is the first part of his personnal album which will be released end of 2010. the gathering « in my system » a title is the version of dj w!ld himself ! check this out

moenstertime! finally lexy & gunjah hooked up their own label for your dancefloor pleasure. directly starting with a boom-collabo with soffy o (well-known from their work with toktok in the past). >chronicles< is a real earworm with hot remixes coming from david august (stil vor talent, diynamic) and end of tape (bar25, microtonal, wba, etui).

rino cerrones legendary rilis series returns this summer with a blistering package which features danilo vigorito, uto karem and cerrone himself. cerrone is arguably the most influential character in italys techno scene having carefully nurtured countless artists while juggling labels, a prolific production diary and countless dj gigs. his output always commands respect and this release is no different. kicking of with cerrones 2010 re-edit of rilis 05a1, a percussive beast of a cut which combines rolling funk bass and classic stabs, rilis remix vol 6 is a sure bet for house and techno djs alike. add dubfire, hawtin and villalobos favorite uto karem and the excitement only builds. here, the hugely talented producer delivers a low slung, heavy, trippy and heads-down version of cerrones fracture which stands out as some of his finest work yet. finally, neapolitan veteran danilo vigorito steps up to the plate and delivers a deep and devasting remix of burntit. comprising some fantastic production tweaks and edits alongside rhythmic percussion and the all important rolling bottom end, this is vigorito at his best. this is yet another worthy addition to the >rilis< concept - essential stuff

tornado wallace has had a great 12 months following his debut release paddlin on delusions put him firmly on the map of heavyweight young producers to watch. subsequent remixes for home taping is killing music, future classic and detroit label kolour have pushed him further to the forefront of deep and dubby slomo house scene. always twirling spins into action with driving 16th note hats, compressed pads and soaring strings. 808 snare fills rattle throughout and a warm, dubby bassline provides the speaker-troubling low end. twirl and the beanstalk goes for a more heads down, bare beats and bass approach resulting in an intense, floor friendly track that grooves extra hard. finally, we have whispering twirl, a sumptuous slice of midtempo deepness with a hint of boogie and a dash of soul

suckafish p. jones, the self-proclaimed ringmaster of voodoo electronics, returns to evil up your soundsystem with his second ep for disboot records, >mr midnight<. released on 12 inch vinyl for disboot records, suckafish summons up four tracks of jagged robot funk from the depths of the swamp. perverting the tropes and conventions of uk garage, grime and hip hop, ?mr midnight? combines pulsing low end rhythms with possessive melodies to create a soundtrack to that full moon night that never ends. sleazy, emotional, violent and ecstatic at the same time, suckafishs latest offering maintains his reputation for productions that ignite the dance with raw, infectious energy and humour.